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The iconography of Verethraghna (1)

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02 Religious and ideological symbols and iconographic motifs




02 Religious and ideological symbols and iconographic motifs



Keywords
Verethraghna
Zoroastrianism
Period
Hellenistic Empires
Roman Empire
Sasanid Empire
Channel
Iconographic tradition
Iranian culture


Text
The great diffusion of imagery of Verethraghna, the Zoroastrian god of victory, is due - after the Macedonian conquest to the early Sasanian era - to a mixture between Iranian, Mesopotamian and Greek influences. There are influences from the iconography of Heracles because he was an immensely popular figure to the Greeks, and a divine ancestor of Alexander; and his cult was pursued by the Seleucids, along with their own ancestral Apollo. Secondly, there are influences from the iconography of Zoroaster as the lion-killer - the lion being an Ahrimanian creature and hypostasis of Evil. Third, the iconography of Verethraghna recalled the archaic lion strangler motive of the ancient Near Eastern royal palaces and elsewhere, where the monster slayer Ninurta was depicted in battle with a lion.


Bibliography

Carter 1995, 119-120Carter, M. L. “Aspects of the Imagery of Verethragna. The Kushan Empire and Buddhist Central Asia.” In: Bert G. Fragner (ed.). Proceedings of the second European Conference of Iranian Studies. Serie Orientale Roma 73. Rome: Istituto Italiano per il Medio ed Estremo Oriente 1995, 119-140.

Andrea Piras


URL for this entry: http://www.aakkl.helsinki.fi/melammu/database/gen_html/a0000633.php


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