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Nimrod the inventor of magic arts (1)

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Topics (move over topic to see place in topic list)

02 Religious and ideological symbols and iconographic motifs



01 Religious and ideological doctrines and imagery




05 Scientific knowledge and scholarly lore


01 Religious and ideological doctrines and imagery





01 Religious and ideological doctrines and imagery


Keywords
magic
Nimrod
Period
3rd century CE
Roman Empire
Channel
Christian-Roman philosophers and scholars


Text
pseudo-Clement, Recognitions 4.29:
First among them (born in the fourteenth generation) is named a certain king Nimrod, to whom the magic art was handed down as by a flash; the Greeks also called him Ninus, from whom the city of Nineveh took its name. In this way, therefore, diverse and erratic superstitions took their beginning from the magic art. For because it was difficult to draw away the human race from the love of God and attach it to deaf and lifeless images, the magicians made use of higher efforts, that men might be turned to erratic worship by signs among the stars and motions brought down as it were from heaven, and by the will of God. And those who had been first deceived, collecting the ashes of Zoroaster - who, as we have said, was burned up by the indignation of the demon, to whom he had been too troublesome - brought them to the Persians, that they might be preserved by them with perpetual watching, as divine fire from heaven, and might be worshipped as a heavenly God.


Source (list of abbreviations) (source links will open in a new browser window)
pseudo-Clement, Recognitions 4.29

Bibliography

Livesey and Rouse 1981, 212-213Livesey, Steven J. and Richard H. Rouse. “Nimrod the Astronomer.” Traditio 37 (1981) 203-266.

Amar Annus


URL for this entry: http://www.aakkl.helsinki.fi/melammu/database/gen_html/a0000248.php


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